Care and purchase

How to change the guitar's strings? step by step

Nylon and metal rods, acoustic, classical and electrical: When to change them, what calibre to use and how to put them to tuning and to get tuned.

For Section 3 A medio tono9 min of reading

To change strings is simple: loosen and remove the old one, put up with the new one at the bridge, put it through the stick and leave them with a few turns, tunes, and scattering with softness and re-tuning. What changes is the bridge: nylon strings are neatened, metal acoustic clattering with pines and electrical ones pass through the bridge or after the body.

To reference, if you play a few hours a week, change them every three or four months, if you play every day or your hands sweat a lot, before. Your ear warns you: old strings sound opaque and they don't have a good tuning.

To sum up

  • It changes the ropes as they sound out, they look dark or rough, or they stop tuning at Stretch 12.
  • Never put metal strings onto a classic nylon guitar: its bridge and its mast cannot stand that tension.
  • Loosen the string before cutting: a tensed metal string leapes with force.
  • It leaves leapt for two or three turns at the thick and some more at the thin, with the turns coming down at the pole.
  • It's up to the note and stretching every string with softness and the nylon takes a few days to stabilise, and metal for a few hours.

Each how much to change the strings

There's no date: lt's up to how much you play, how much sweat and how much climate you have. On the coast or hot ground, moisture and salt purify metal ropes faster than in Bogotá.

Oriential frequency to change strings
How you playMetal (acoustic and electrical)Nylon (classical)
A few hours a weekEach 3 or 4 monthsEach 4 to 6 months
DailyEach 1 or 2 monthsEach 2 or 3 months
Before a presentation or recordingA few days earlierOne or two weeks earlier, so they can stabilize

Signs that she's already playing

  • They sound opaque, with no glow or sustained, especially serious ones.
  • They do not get tuned or, with air tunes, they sound out of tune at 12.
  • They look dark with an oxide point or feel rough as their fingers slide.
  • In nylon, the fringes of the embroidery are spent or open at the most useful jobs.

Retirement and tightness

In metal, the calibre is name by the thickness of the first and the sixth string, in hundreds of inches. The thinner ones are easier to step on and the thicker ones give more volume and body but require more to the fingers.

Common calibers and recommendation to start with
GuitarCommon optionsTo start with
ElectricalGames 9-42, 10-46 or 11-499 or 10
Metal AcusticsGames 10-47 (extra light), 11-52 (custom light) or 12-53 (light)10 or 11
Classic nylonThey are sold by tension: low, normal or highNormal, or low if you have to step

If you leap several calibres, change the tension onto the mast and you may have to title the soul, height of the ropes or ebes of the cebula. Consult them earlier with your teacher or your luthier.

What you need and how to get ready

  • The new game, right for your guitar.
  • A cold pint or a big pint for the leftovers.
  • A lever handle: optional but saving time and many bring pines for acoustic.
  • A tuner, you can use the [guitar tuner online]](/herramientas/afinador/guitarra).
  • A cloth, and what's necessary if you're gonna clear the diapason.

All at once or once?

One by one keeps the tension on the mast and let you see how the earlier one was going. It's more comfortable if you're starting and it's required in electric with floating bridge. To remove all of them allows you to completely clear up the diapason and a fixed bridge guitar doesn't matter if you don't leave them with no strings. We tell you how to clear them up with how to clear and care for an acoustic guitar..

A safety rule: always loosen the string before cutting. A metal strap cut with tension leapes with force and can damage your face or eyes.

Step by step: acoustic and electrical (metal)

  1. Loosen the string with the stick till it's loose and clear from the pole.
  2. Remove it from the bridge. In acoustic with pines, remove them with pines and not with pines, so as to avoid scattering the bridge. In electrical terms, the rope goes out through the bridge or from the back of the body.
  3. Pass the new string. To be acoustic, put the ball (the end with a ring) into the hole, put the pin with its slot and look at the string and, while you push it, pull a little of the string up so that the ball sits onto the internal wood and does not get mounted at the end of the pin.
  4. Take the string to his stick, pass it through the pole hole and tighten up till it's straight. Then put back about 5 to 7 cm of loot for the thick, something more for the thin.
  5. Fold the tip and turn the lever so that the turns will spiral down the pole. The string should reach straight from the cebula, without scattering other poles. In three and three clawks, passing through the inner side, between the two rows of clawks.
  6. Fits close to the note, check that the string is in its beecuela and bridge slot and cut the leftovers with half an centimeter.

Two or three turns in the tighten and four or five in the priors are enough. with very few scattering and with far too many they are mounted onto each other and tuning moves.

If your electric has a floating bridge

He changes a string at once and refines every few times, because as a bridge clears and puts the rest down. If it's a Floyd Rose system with screws that strap the ropes into his cebula, ask that first time your teacher or a luthier show you the process.

Step by step: classical guitar (nylon)

  1. Loosen and remove the old string. Undo the knot from the bridge rather than cut it onto the wood.
  2. The new string passes through the bridge hole from the face of his mouth back, leaving about 6 to 8 cm of spare.
  3. Redirect that end above the bridge, put it under its own rope and put it once or twice more under itself, glued to the back edge of the bridge. At the priors (1, 2 and 3), they are smooth and slip, give 3 passes or make a small knot at the end.
  4. Pull the long string so that the knot will be adjusted against the border of the bridge, without the end touching the cover.
  5. At the clamp, pass the string through the roller hole, turn around about to drill and roll up so that the string goes up above the roller and the turns step onto the framed end.
  6. That's fine. Check his slot and cut his leftovers and leave an inch.

The cover of the classic is thin: prevents the end of the knot from hitting the wood by tensile and never let a loose string pounding the cover.

How to stretch and tuning new strings

The new ropes are stretching up during the first few hours and that's why they get out of tune again and again.

  1. Fits them all to his note, always up to her: if you pass, come down a little and get back up. Thus the gears of the stick are firm.
  2. Take every string about half with his thumb and his index and gently seast his diapason about a few centimetres and walk his length. No pull and no sign by his bridge.
  3. Reapine: you'll see how she's been down.
  4. Repeat two or three times, till you barely move.

With metal, tuning stabilizes at one or two sessions. With nylon, with several days of re-tuning often and with the most stretching priors. If standard tuning still costs you, we explain string by string at [how to tuning guitar].](/blog/como-afinar-la-guitarra).

Common errors

  • To misestimate the leavage: with very little scattering and with a great deal, the pole is filled with tipple.
  • Filling upside down: the string goes cross and that stick turns opposite the others.
  • Do not check that the string entered his cebula slot.
  • Filling with force a new string to "quickly stretch": the bridge is broken or moved.

The first time, your [acoustic guitar] teacher](/clases/guitarra-acustica) or [electrical guitar]](/clases/guitarra-electrica) He can come with you in class and after two or three changes, you'll be with him in a quarter hour.

Frequently asked questions

What's with the new string so bad?

Because they extend during the first few hours and because the turns in the clamp and knot, in the case of nylon, end up sitting. Stretch them with softness and re-tuning them several times greatly shortens that period.

Can I just change the string that broke?

If the game's been up for months, the new string will sound a lot more brilliant than the rest of them, and we have to change them all.

What are best strings for beginners?

In electrical, calibres 9 or 10, in metal acoustics 10 or 11, in classical, normal or low tension. They are easier to step on while they form their calves. Check with your teacher before changing a lot of calibre.

Why do I always get broken with the same string?

If it's always broken at the same point, there's usually a sharp edge to the bridge chair, cebula or post hole. It's also passing by tuning far above the note. If repeated, ask the luthier to review that point.

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