What's the solphis and how to practice them every day?
The solpus is to read music out loud, in rhythm and with his pulse marked. We explain his types, how to practice them every day and how to use them for an admission.
The solpseus is to read music out loud: say or sing the name of each note at its exact rhythm while marking his pulse with his hand. There are three main ways to practice it: rhythmic (only the rhythm), talked (name of note at rhythm) and That's what we have. (singing every note at his height).
It's useful for any instrument, because it's about to teach you how to listen inside what's written before you play it. And if you're planning to study music at university, that's one of the tests you're most likely to put forward.
To sum up
- Solfear is to read with a high voice: rhythm, name of note and, at the atoning, its height.
- The rhythmic solpus trains his pulse, his speech, his quick reading, his tone, his inner ear and his tuning.
- Always dial the bar: the first time goes down, and the pulse doesn't stop even if you're wrong.
- Twenty minutes a day, spread out among the three dudes, they give up more than a long session a week.
- For admissions, practice first-sight reading in shortcut and shortcut, and do not memorize pieces.
What's the solphis and what's his use?
Solying's the bridge between seeing a score and listening to it. If you already know read scores, the solpseus is the next step: passing that reading through the voice and body, in real time.
- It forces you to maintain your pulse, that's the first thing you lose while reading.
- The inner ear: The ability to figure out how something sounds before we touch them.
- Separates reading from the technique: without an instrument, you only work to read and listen.
- It's the basis of musical dictation and reading at first glance.
In Colombia, as in most Latin America, we have been using Fixed: Do is always the same note (C in American encryption), regardless of the tone. Other methods use mobile, where "do" is the tone of each tone. If you are to submit an admission to the country, practice with do fixed.
Types of solphis: rhythmic, talked and tuned
| Tipo | What are you doing? | What training? |
|---|---|---|
| Ritmic | Read only the rhythm with a syllable, as "ta," while marking the pulse | Pulse, figure, quiet and compact |
| Hablado | That's how you say the name of every note at its best without singing it. | Fast note reading in one or more keys |
| Roast (melodic) | Do every note with his name and his rhythm | Filling, intervals and inner ear |
The logical order is that: first rhythm, then names and at end height. But we have to finish one to start the next. In the same session you can work all three with materials at different level.
How to mark the compass with his hand
When welding the compass with his right hand is marked, drawing a pattern that repeats itself at each bar. The golden rule: First time always goes down and his last one, up.
| Compas | Right-hand movements |
|---|---|
| 2/4 | Down - up |
| 3/4 | Below - to the right - up |
| 4/4 | Below - to the left - to the right - up |
| 6 / 8 (slow) | 6 movements, one by clasp, quickly, and with two, as 2 / 4 |
If at first dial with your hand distracted you, start tipping his pulse with his foot and pass to his hand as his reading's firmer.
How to practice rhythmic solpus
- Put the [methonomer]](/herramientas/metronomo) at 60 pounding per minute: 1 per second.
- Fold the compass with your hand and count a compass out loud before you start.
- Read with a single syllable. The long notes hold ("taaa" in a white) and with the quiet his hand keeps tipping.
- It starts with black, white and round and then adds clocks, quiet, tipple and semicorchees. It leaves syncups and triples for as soon as the above goes effortless.
- If a figure costs you, divide them with a low voice: "1-and-2- and" for clocks.
- Don't stop and get better if you get lost, get back together at the first time of the next bar.
The most common mistakes: shorten the long notes, accelerate them and stop them just before a difficult passage. To record them with your phone makes them clear at once.
How to practice the tipsy solphis
No singer's voice: you need to tuning, and that's how you train. He's singing at a comfortable volume and at your register. If you're an adult man, it's normal to have an octave lower.
- Takes a reference note to a piano or an application: Do or La.
- Sing Do Mayor's scale up and down with note names and with his pulse tagging.
- That chord's your map of tone.
- He reads a short melody that moves by his relative degrees. At his leaping, first think about his tone and place his note from there.
- Sing the full sentence before If your piano goes with you all the time, your ear goes to his back.
- Check the last note: if you have been tuned, your inner ear's working.
A daily 20 minutes routine
| Minutos | Bloque | What to do |
|---|---|---|
| 3 | Calentamiento | Do major scale sung, marking the compass |
| 5 | Ritmic solpus | A new lesson and review from the previous one with a methonomic |
| 5 | Solphis talking. | A reading with a code of sun and, if you already manage it, with a code of fa |
| 5 | Retiring with a light | A short melody, sentence by sentence |
| 2 | Memoria | Listen to two bars with a simple melody and write them and write them. |
For the material, there are traditional methods that many teachers continue to use, such as Pozzoli's talking and singing solpheres, Dandelot's key manual or an elementary training for Hindemith's musicians. Music Theory ClassesYour teacher chooses his lessons at your level and challenges what you cannot hear alone.
Solpus for the entrance test
The tests for admission to music racing in Colombia usually include rhythmic reading, sonabout and dictated reading, as well as listening to an instrument. What we evaluate is reading at first glance, so the preparation changes a little:
- He practice with lessons that you don't know, but with what you already know.
- It works with a sun and a fa key and simple and composite compases, as 6 / 8.
- Do simulations: one minute to look at the lesson and then read it complete, and without stopping.
- Do get used to someone listening to you and his nerves change his pulse.
We have developed this in detail in rhythmic and melodic reading for the admissions test. If you want a guided training, look at our [preuniversity music]](/preuniversitario-musica).
Frequently asked questions
Do I have to have a good singing to make some solphis?
No. The tuning and rhythm matter in solphis and his face, and his or her tone and his or her voice power. People who say "have no voice" greatly improve his or her intonation with guided practice.
Do I play drums or guitar?
That's right. The rhythmic solpus's drummer's vital to read parts and understand figure. The guitar helps you read score, get ear melodies and improvise more with more intention.
What's better, regular or mobile?
The two serve. The fixed do is the standard in Colombia and in the admissions of the country. The mobile do helps to feel the function of each note within the tone. If you study here, start with the fixed do.
How long does it take to get ready for an admission?
It's up to your starting point and how much you practice. If you start from scratch, have several months of constant work and if you have already read with fluency, time goes into simulations and to tuning weak points.