Fees and intervals
| Grade | Note | Interval from the tonic | Function |
|---|---|---|---|
| 1 | Fa♯ | fundamental | Tnica |
| 2 | Sol♯ | second largest | Supertonic |
| 3 | La♯ | third largest | Mediante |
| 4 | Si | That's right. | Subdominante |
| 5 | Do♯ | fair fifth | Dominante |
| 6 | Re♯ | 6 g | Superdominante |
| 7 | Mi♯ (Sounds as Fa) | major seventh | Sensible |
Between note and note the scale goes as follows: T - T - S - T - T - T - S (T = tone, S = semitone)). That formula is the same in any tone: if you learn it, you can put up a scale major from any note.
Some notes are written with an unusual name (My been = Fa) because at a scale of seven notes every letter appears once. When playing, it's the same key or cut.
Agreed with the scale of F♯ major
When you stack third and third onto every degree these chords come out. They're the ones you'll find most in songs in this tone.
Triades
Retirement
How to practice this scale
- Touch them with a steamball with a pulse note and get up and up and about only as soon as you sound a couple.
- He sings the name of the notes while you play them: so you train your ear and memory at once.
- On the piano use the digitation of your teacher or a method: at most scales, the thumb passes under after the third finger.
- He also practice triades of the scale (the chords at the bottom) to understand how the harmony of the songs will be built up.
Frequently asked questions
What are the notes from the largest sustained Fa scale?
The Fa mayor scale has 7 notes: Fa-Sol-Málaga - La Málaga - Si - Do-Málaga - Reo-Mi. His formula is T - T - S - T - T - S (T = tone, S = semitono).
How many bras or bemoles have bigger Fa sustained?
His armor has 6 holds (Fa, Do), Sol), Re), La).
What's the relative of Fa sustained major?
It's a natural minor sustained re: they have exactly the same notes but they start at a different degree. The relative minor is a third minor under them.
What chords have the highest sustained Fa scale?
with triads: F), G), G), A), B (IV), C (V), D), D), E), dim (vii).
