Compas and tempo of the report
| Region | South Pacific from Colombia, from Buenaventura to Tucaco |
|---|---|
| Compas | 6/8 |
| Reference time | Black with a tipstick between 84 and 105 ("What's wrong with you?") |
| Instruments | Fairy with chonta, light and cune and with gums and voices |
| To listen | "My best adventure," by Petronio Alvarez |
What every instrument does
Among Pacific musicians, "curulao" appoints the music of Maimba, Bombos, Cununes and Gas that's at 6 / 8. The rudder bulb holds a matching base, and the pounding, at all its patterns, gives a strong and open blow at the fifth clasp of the bar. The cunUnes share between one that makes the base (blackout) and another that adorns (peller), and the Gasas complete the whole.
Rapid or cadentious, depending on place
The same figure indicates that in Tumaco, Salahonda and Francisco pizarro the curulao usually goes faster, while in Guapi and Timbiquí it's more cadescent and slow. That's why we have to listen to several recordings and tipote with Tap tempo.
How to practice currulao with the metronome
- It counts the 6 clocks, "1-2-3-4-5-6," and with his foot 1 and 4.
- It's a strong palm at 5: it's an open blow of the pounding bulb.
- With a shaker or his fingers on his table, his face plays every clasp without accelerating.
- It goes up from 3 BPM to 105, the top mentioned by the cartilla.
How to read the tempo of this page
The BPM count the pulse of the bar, which isn't always a black: at 6 / 8 each pulse's a black with a tipstick (3 clocks), at 2 / 2 it's a white (4 clocks) and at 3 / 4, a black (2 clocks). That's why we should think about clocks a minute as well:
- 6 / 8: 84 BPM black with tiptoeThat's what I'm talking about. 252 That's how you write them every minute.
How to adjust the metronomer
- Compas: At 6 / 8 compases, the metronome counts black with a tipple (two pulses per bar), and at 2 / 2 count with a white figure and at 3 / 4 with a black figure.
- Section: He adds soft clics between his pulse and his pulse. With his clocks, you listen to his rhythm and without his subdivision, his pulse alone.
- Actors: Touch every point so that that time sounds strong, soft or without an accent, and weapon the pattern that you are practising.
- A time of a recording: put up the song and play Tap tempo at the pulse rate, and the metronomer calculates the BPM.
- Retirement: From 2 to 5 BPM when the passage goes clear three times in a row. If it's broken down, put down 8 and get back up.
Common errors with methonomal
- Speed up at end of sentence: It's the most common mistake. Record some compas with your phone and listen if you get there before clicking.
- Play without listening to the click: When you go exactly to tempo, your blow and click merge and you nearly stop listening to it. If you listen to it before or after your note, it's okay.
- Retirement up too soon: A clear and slow rhythm sounds better than a fast and tipsy one, and you learn more quickly.
- To count the wrong compass: A quick tempo, a 6 / 8 sits in two pulses and a 2 / 2 in two white ones and count all the clocks out loud challenges you.
Frequently asked questions
What's with the curulao?
6 / 8: two pints with a pounding with a pounding and with three clasp.
What's his time with his resume?
According to the "What's wrong with you!" letter from the Ministry of Culture, about 84 and 105 black with tipstick per minute, faster at Tumaco and more cadentious at Guapi and Timbiquí.
What instruments does the curriculum have?
Mawl of chonta, pumps (rudder and pounding), cune (blackout and pawer), gums and voices.
