Compas and tempo of the joint
| Region | Farms of the Colombian Caribbean: Córdoba, Sucre and Bolívar |
|---|---|
| Compas | 2 / 2 (party) |
| Reference time | For example, white = 80 in a pallitiao joint, 90 in a pallet joint and 93 in a pallet joint ("Fits and drums") |
| Instruments | Band: clears, trumpets, thrombones, bombardment, bulb, pounding and plate |
| To listen | "Maria Rodilla" |
Porro paltiao and porro tapao
They are the two best known variants of the band joint. According to the "Pitos and drums" board of the Ministry of Culture, the pallitiao joint, as with the pairloom, uses the same code of cumbia: an accent on the seventh of eight branches. The pallet joint, however, accentuates subdivisions 1 and 7 of the first bar and 5 of the second.
The pulse of the band
In the band, the plates sound out in time and open at drawback. With the metronome at 2 / 2 and subdivision at black, the strong click is the plate off and the soft, the open: a good exercise for bulb, pounding and saucer. If you call to play in a band, read how [start with wind bands]](/blog/bandas-de-viento-en-colombia-como-empezar).
How to practice porro with the metronome
- It counts in two, "1 and 2 and," and sets his pulses with his foot.
- With a black branch, it modifies a blow to an end and an open to a backlight, as did the sauces.
- The subdivision goes to clocks and counts about eight out of two bars: it accentuates the seventh to feel the key.
- Touch the melody of your wind instrument onto the click, without accelerating at the end of the sentence.
How to read the tempo of this page
The BPM count the pulse of the bar, which isn't always a black: at 6 / 8 each pulse's a black with a tipstick (3 clocks), at 2 / 2 it's a white (4 clocks) and at 3 / 4, a black (2 clocks). That's why we should think about clocks a minute as well:
- In 2 / 2: 85 BPM blancaThat's what I'm talking about. 340 That's how you write them every minute.
How to adjust the metronomer
- Compas: At 6 / 8 compases, the metronome counts black with a tipple (two pulses per bar), and at 2 / 2 count with a white figure and at 3 / 4 with a black figure.
- Section: He adds soft clics between his pulse and his pulse. With his clocks, you listen to his rhythm and without his subdivision, his pulse alone.
- Actors: Touch every point so that that time sounds strong, soft or without an accent, and weapon the pattern that you are practising.
- A time of a recording: put up the song and play Tap tempo at the pulse rate, and the metronomer calculates the BPM.
- Retirement: From 2 to 5 BPM when the passage goes clear three times in a row. If it's broken down, put down 8 and get back up.
Common errors with methonomal
- Speed up at end of sentence: It's the most common mistake. Record some compas with your phone and listen if you get there before clicking.
- Play without listening to the click: When you go exactly to tempo, your blow and click merge and you nearly stop listening to it. If you listen to it before or after your note, it's okay.
- Retirement up too soon: A clear and slow rhythm sounds better than a fast and tipsy one, and you learn more quickly.
- To count the wrong compass: A quick tempo, a 6 / 8 sits in two pulses and a 2 / 2 in two white ones and count all the clocks out loud challenges you.
Frequently asked questions
What's with the joint?
In a broken suit (2 / 2): two pulses of white by compact.
What's the difference between a joint and a cube?
The two are binary and some variants of the joint share the key to the cumbia, but the joint is linked to the wind bands, and the traditional cumbia, to the paddle cane or the pits and drums. methonome for cumbia.
What's his time with his joint?
It goes with his work and his band. The reference recordings of his "Pitos and drums" cover between 80 and 93 white people per minute.