Compas and tempo corridor
| Region | Andean and grown in other Andean countries |
|---|---|
| Compas | 3/4 |
| Tempo | There's no fixed tempo: the singing corridor's slow and cadentious, and the instrumental or party, very quickly, at the will of the interpreter |
| Instruments | Tipple, bandola, guitar, regal, also piano and españantine |
| To listen | "La cata golosa," by Fulgencio García and "Cachipay," a party corridor |
How the corridor accentuates
The main accent falls into the first time, and usually sets the low. At guitar, a common pattern puts the low at 1 and chords at the second half of 2 and 3 and at the tiple, the impulse sits at the third and the sixth clasp. Some corridors also play with hemiolas, accents every two times that cross the bar, as "Aquartella" or "They will come back."
The corridor came as far as the European Waltz was concerned in the 19th century but these accompanying movements have made it their own. If you play it as a waltz with three equal times, they lose their character.
Stretch and party corridor
| Stretch or song | Fairy deck | |
|---|---|---|
| Tempo | Fold and cadentious | Fast, sometimes really fast |
| Function | Accompanying a letter | instrumental and dance play |
| How to practice it | with clocks and care for first time | Without subdivision as 150 BPM passes, only with the times |
How to practice pasillo with the metronome
- With an activated accent, mark 1 with foot and count "1 and 2 and 3 and."
- It gives a soft palm in the second half of the second and another in 3: it's the chord pattern on the guitar.
- Sing or delay the melody of a corridor you know about that base.
- The challenge of the fast corridor is to have the first time clear.
How to read the tempo of this page
The BPM count the pulse of the bar, which isn't always a black: at 6 / 8 each pulse's a black with a tipstick (3 clocks), at 2 / 2 it's a white (4 clocks) and at 3 / 4, a black (2 clocks). That's why we should think about clocks a minute as well:
- 3 / 4: 100 BPM negraThat's what I'm talking about. 200 That's how you write them every minute.
How to adjust the metronomer
- Compas: At 6 / 8 compases, the metronome counts black with a tipple (two pulses per bar), and at 2 / 2 count with a white figure and at 3 / 4 with a black figure.
- Section: He adds soft clics between his pulse and his pulse. With his clocks, you listen to his rhythm and without his subdivision, his pulse alone.
- Actors: Touch every point so that that time sounds strong, soft or without an accent, and weapon the pattern that you are practising.
- A time of a recording: put up the song and play Tap tempo at the pulse rate, and the metronomer calculates the BPM.
- Retirement: From 2 to 5 BPM when the passage goes clear three times in a row. If it's broken down, put down 8 and get back up.
Common errors with methonomal
- Speed up at end of sentence: It's the most common mistake. Record some compas with your phone and listen if you get there before clicking.
- Play without listening to the click: When you go exactly to tempo, your blow and click merge and you nearly stop listening to it. If you listen to it before or after your note, it's okay.
- Retirement up too soon: A clear and slow rhythm sounds better than a fast and tipsy one, and you learn more quickly.
- To count the wrong compass: A quick tempo, a 6 / 8 sits in two pulses and a 2 / 2 in two white ones and count all the clocks out loud challenges you.
Frequently asked questions
What's with the corridor?
3 / 4: 3 times per bar with the main accent at first.
What's the difference between the corridor and the waltz?
The two are 3 / 4 and the corridor comes from the European waltz but its accompaniment moves the chords and sometimes crosses the compass with hemiolas. That's why, while they share them, they don't feel the same.
What's his time with the corridor?
There's no single tempo: the song corridor is slow and the party hall, very fast. Use Tap tempo onto a recording to find that of each work and practice it first slower.