Compas and tempo of guabine
| Region | Santander, Boyacá, Tolima and Huila |
|---|---|
| Compas | 3/4 |
| Tempo | No reference time published: depending on work and region |
| Instruments | Tipple, Bandola and Guitar, in Santander, also re-fifth |
| To listen | "Viviran mi Tolima," by Pedro J. Ramos and "Guabina chiquinquireña," by Alberto Urdanita |
How guabine is accompanied
On guitar, a common pattern puts low at times 1 and 2, chord at 2 and two clocks at 3. Like in the corridor, strong support is at first time and clocks are grouped into pairs, without the 3 / 4 to 6 / 8 vaivén that characterizes the bamboo.
Guabine, tiple and reg
The guabine is inseparable from the tiple and at Santander the reprimand is added. If you touch either of them, put it up before practice with the [tiple tuner]](/herramientas/afinador/tiple) or the [Refifth tiple tuner]](/herramientas/afinador/tiple-requinto).
How to practice guabina with the metronome
- Fold 1 with foot and count "1 and 2 and 3 and" with the metronomer in clordes.
- Touch the low at 1 and 2, chord at 2 and two clocks at 3, very slowly.
- When the pattern goes out by itself, it removes the subdivision and hears only the times.
- Search for a time of a Tap time and get close to it at 4 BPM.
How to read the tempo of this page
The BPM count the pulse of the bar, which isn't always a black: at 6 / 8 each pulse's a black with a tipstick (3 clocks), at 2 / 2 it's a white (4 clocks) and at 3 / 4, a black (2 clocks). That's why we should think about clocks a minute as well:
- 3 / 4: 90 BPM negraThat's what I'm talking about. 180 That's how you write them every minute.
How to adjust the metronomer
- Compas: At 6 / 8 compases, the metronome counts black with a tipple (two pulses per bar), and at 2 / 2 count with a white figure and at 3 / 4 with a black figure.
- Section: He adds soft clics between his pulse and his pulse. With his clocks, you listen to his rhythm and without his subdivision, his pulse alone.
- Actors: Touch every point so that that time sounds strong, soft or without an accent, and weapon the pattern that you are practising.
- A time of a recording: put up the song and play Tap tempo at the pulse rate, and the metronomer calculates the BPM.
- Retirement: From 2 to 5 BPM when the passage goes clear three times in a row. If it's broken down, put down 8 and get back up.
Common errors with methonomal
- Speed up at end of sentence: It's the most common mistake. Record some compas with your phone and listen if you get there before clicking.
- Play without listening to the click: When you go exactly to tempo, your blow and click merge and you nearly stop listening to it. If you listen to it before or after your note, it's okay.
- Retirement up too soon: A clear and slow rhythm sounds better than a fast and tipsy one, and you learn more quickly.
- To count the wrong compass: A quick tempo, a 6 / 8 sits in two pulses and a 2 / 2 in two white ones and count all the clocks out loud challenges you.
Frequently asked questions
What's with the guabine?
At 3 / 4 with an accent at first and the clordes grouped from to two.
What's the difference with the guabine from the corridor?
They share 3 / 4 and support at first time. They change the accompanying pattern, the repertoire and the region: the guabina is mainly from Santander, Boyacá, Tolima and Huila.
Where's the guabine festival?
At Vélez, Santander, with the National Guabina and Tipple Festival.